“A great photograph [is] a full expression of what one feels about what is being photographed in the deepest sense and is, thereby, a true expression of what one feels about what life in its entirety.”
– Ansel Adams
As with any creative practice, photography is so personal that we constantly feel the need to defend it to others and to explain our work. But there is a power that comes in leaving a photo be and allowing the viewer to interpret as they will. Continue reading Leaving A Photo Be
“Badly made is better than never perfectly made”. I read this somewhere and it was this one phrase that motivated me into trying to sell some prints of my photos.
Prior to that, I had lingering doubts:
What if my photos are not sharp enough? What if the exposure is not correct? What if the composition is not right? I had so many doubts, but decided to take the plunge anyway and hoped at least one person will buy the prints. Continue reading Selling My Art by zekezachzoom
A behind the lens look at this year’s San Francisco Toy Safari
It’s been a long time since I had taken a road trip. And, I’m not talking about a casual 2-3 hour drive away from where I live.
This one would take 13 hours and some change, cursing through a couple of states, with a few cups of coffee.
But, we were on a mission. Along with Eric (IG:@intangibledandy), we were heading down to San Francisco for the big toy safari photography meet up. Though it was Eric’s second toy Safari, and my first. We were both in much anticipation to meet everyone and start shooting pics. Continue reading Lego on a road trip!
It all started with the word ‘humid.’
In Florida it’s always humid. Go outside with your camera and the lens immediately fogs up. If you want a non-fog filled image quickly you have to wipe the condensation from your lens and hope for the best. Otherwise you wait up to 30 minutes or more until your camera acclimates to the sticky weather.
A couple years ago, I decided I wanted to replicate a fogged camera lens effect indoors. My mom suggested placing something in front of the lens. So really I owe the whole development of this process to her. I had some textured transparency film left over from a college printmaking class and there it was. Continue reading A Foggy Path
I have to confess that writing this article about “why?” I like to photograph toys was challenging.
I’ve never thought about why I photograph toys, before. I was only following the butterflies in my stomach. But having to write the reason in “black on white”, I would answer that I’m a toy photographer, especially LEGO, because it’s incredibly fun. Continue reading Why? by The APhOL
Looking back on my second Toy Photo Safari, I’ve realized that the event only gets better with return visits. The first event I attended was in Seattle last year (2016). At that time, I’d say I knew 75% of the people from their Instagram accounts, but had never met any of them in person. We had a great weekend and the newly found friendships were bolstered by social media over the next year. Now when I arrived in San Francisco I was happily reunited with a dozen friends I had taken pictures with before. Continue reading Toy safaris only get better with return visits
I shot my first toy photos 9 years ago.
I was 17, in Ms. Jen’s 11th grade English class, and chose to illustrate scenes of William Faulkner’s As I Lay Dying from a list of project options.
I really knew nothing about photography, but was slowly discovering that I liked it.
I outlined a few key scenes from the book and set out to photograph them. To my knowledge, I had never knowingly seen a toy photograph, nor did I think of what I was doing in any sort of category. All I knew was that it seemed the best way to represent a burning barn, brothers, horse drawn carriage, fish mother and vultures was through toys and maquettes.
The resulting photos weren’t what I’d now call good, but at the time I was quite happy with what I’d managed to create with minimal supplies and a point and shoot camera.
So now, 9 years later, some 6 or so years since I’ve actually considered myself a toy photographer, I’ve recreated those images with better technical knowledge and artistic vision. Continue reading A Reflection
The Lead Up
Ok, so I was super nervoucited. (Thanks to a seven year old at my son’s school for teaching me that awesome word!). I’ve been collecting LEGO minifigures and taking pictures of them for almost two years now, and I was vaguely aware of Toy Safaris from mentions in my Instagram and Google+ feeds as well as a few blogs I follow. I had little idea of what to expect, so my mind was spinning with “who’s gonna be there?,” “what will it be like?,” “which toys will I bring?,” “will I be the only dullard using an iPhone 7 and relatively ignorant about photography?,” and “will this event hit my list of the top ten most awkward things I’ve ever done?” (Please don’t ask about that list… trust me.) Continue reading 5 Amazing Things About the San Francisco Toy Photography Safari
Hello Toy Photographers! My name is Kenton Anderson.
Me in lego form.
Since this is my first post on Toy Photographers let me introduce myself. I am a Full-Time Creative Director/Part-Time Photographer living in Salt Lake City, UT. I have been a photographer for about 10 years now and up until recently have mostly done weddings and family photography. Only recently have I discovered Lego Photography and have quickly become obsessed. Continue reading Why? The 3 Things I love Most About Lego Photography
This is the story of the toy photo that set me on my path. From this photo, I never looked back. This, is my one photo that changed it all.
My first post on Toy Photographers was my Why statement. Why I do what I do – photograph, of all things, toys. And in that I touched on my college WWII project.
The longer it’s been since I made that project, the more I realize how defining it has been to my future photos. Continue reading My One Photo that Changed it All