When I first got started in toy photography one of the biggest challenges was determining how to create a scene for my photos. At first, it all revolved around the toys. It is “toy” photography after all. Which LEGO figures do I want to be together in this scene? Or …
Do you like to combine LEGO Building and Toy Photography? If yes, your art is connected with many creative experiments! We can set the “Brick Photography” apart from other genres of toy art and discuss the best ways of using the bricks in our photos. Types of Brick Photography – …
As toy photographers, we go to great lengths to avoid camera shake. From using tripods and remote shutter releases, to holding our breath during an exposure to avoid unintentional camera movement. The rule of thumb is that the steadier your camera is, the cleaner your image will be. Thankfully, photography …
All the artists have their favorite methods, colors, words, but before everything else, they have their own visions. I decided to focus on the community as a collective of Storytellers and organized an experiment. Our friend Tomek was kind to take part in the project. Making mystical and cybernetic images, …
After taking some much needed R&R, I’m thrilled to be back on the podcast this week!
Inspired by James Gibbs‘ “Toying with Bright Ideas – Playing with FIRE!“, I wanted to put together a post for those, like myself, who are a bit more timid when it comes to mixing fire and toys. Real fire is extremely dangerous to work with, not to mention the hazard it …
Awesome Light = Awesome Photos Amazing light has always been something that attracts people to photos.
Subtle differences in angle, light, pose, and crop can make a huge difference in the emotion and story conveyed by your photo.
It’s no secret that I like beer. And I like toy photography. So, when a chance meeting at my local bar led to the offer to collaborate with a craft beer reviewer and photographer, of course I jumped at the opportunity!
So many of you know me as the photographer who likes to composite toys into my shots.
Sitting at the bar down by our lake, drowning my sorrows, lamenting not making it to Utah this year, it dawned on me that I’ve never really taken many toy photos in the lake’s water.
How do we define creativity? Exploring this elusive question is one reason I started the podcast, because it manifests differently in all of us.
”Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.” (George Eastman) In parts 1 and 2 of this series I covered the design and building of a lighting stage and its associated lighting …
As we often share stories from toy photographers about their “Why” (see JoanMarcF’s post or Carlos Hernández’s for a couple of recent ones), it got me thinking about how we find our place as a toy photographer, and specifically finding a niche within the fictional universes we love.
So often I find myself scouring a beach for pristine, unspoilt sand. Or I’ll spend countless hours on all fours looking for that perfectly scaled moss. More often than not, I’m quick to disregard an imperfect location for toy photography. But some rats and a dog have taught me to …
The toys inspire us to the search of the special places for outdoor pictures and creation of our own micro worlds. Would you like to make a shot of lightning without looking through the window? Is it possible to shoot a jellyfish without water and light? That’s what we are …
I have never been super comfortable taking toy photos out in public, especially when I travel. I have done so from time to time, but normally when I felt I could do it and escape notice. Its not that I am ashamed of taking photos of toys, I just dislike …
Ask anyone who has ever picked up a camera, whether they are a professional or just snapping on their smartphone, what is the most important thing in photography? I’m hoping that 99% of the responses say light… Without light, there is no photo… period… Now for those of you who …
I have become a fan of collecting and displaying prints of my favourite contemporary artists on my studio walls. I started doing this because I liked their work, and wanted to help support them by buying a print of their work. However I also found that they have become a …
Grub Street emerged from the photocopied pages of a zine. At the risk of showing my age, back in the early 90s I was into the zine culture. Now the memory of that zine has become my latest inspiration.
