Do you have your own web site? I was recently surprised by the number of toy photographers in our community who don’t. I feel strongly that in the shifting quicksand of social media platforms every semi-professional photographer and artist should have a personal home on the internet. A place where you can control how your work is viewed, present a carefully curated representation of your work as well as supporting information. A personal web site can also act as a central hub for all your social media accounts and can grow and change with your own artistic needs. Continue reading The Basics – Your Own Web Site
What is a close-up filter? Close-up filters are basically reading glasses for your camera lens. They are a nifty, and extremely inexpensive, way to turn any lens into a macro lens.
You heard me right. You can change the focal length of your lens by simply screwing on a close-up filter. Think of them as reading glasses for your lens.
I love my 90mm Sony lens. In fact I adore it, but it never seems to get me as close as I want to be to my subject. While I love the incredible details in LEGO mini figures, i’ve been unable to capture them adequatly. It is these small details and flourishes that inspire me to photograph these toys. Continue reading The Basics – Close-up filters
Who is your audience seems a rather silly question to be asking. Obviously if you’re posting your photos to social media your audience is your followers. Two years ago I wrote a post called An Audience of One. This was a post reaffirming that the most important person that I’m taking photos for is me.
In that post, I also gave a passing nod to my followers who enjoy my photos and comment on them. But honestly, I would not have considered the reactions or needs of these fans when I set up my photos. Recent events have made me reconsider this position. Continue reading Who is your audience?
When I present or post an image like this I get a lot of questions on how I made it. So I’ve made an effort to take a few behind the scenes photos as I shoot or prep a shot. Here’s my first attempt at deconstructing an image and the process that led to the final result. Hopefully, this will help answer a few questions regarding my editing process.
- Light Painting Brushes Universal Connector
- Light Painting Brushes 9 inch White Fiber Optic Tool
- Red gel (dollar store gift wrap)
- Canon 5D
- Canon 50mm Macro f/2.5
- Manfrotto 190X Pro B
“Light comes in flickers, defining the darkness, not dispelling it.”
Neil Gaiman, Neverwhere
Although lighting is crucial in the Noir series, I never payed attention to how exactly I proceed. I do not know much about light. I only have a general idea of the look I want to achieve. And then I kind of play around, which at the end of the day leaves me with lots of pictures that are ‘same but different,’ as they say.
However, since the lighting in this series has been commented on a couple of times, I tried to pay more attention to the process. Here’s what I think I do:
It all started with ideas about lighting
At one point for example, I wanted the central person to be illuminated by light falling out of a door or a window, casting a long shadow. That’s how Noir started, and you can tell from the first pictures of the series that in the beginning, there was the light, and then the story followed. Continue reading And then there was light
I’ll readily admit I have a lot of supplies for my toy photography – various toys, camera equipment and other gear.
I don’t have the latest and greatest anything, but I make what I have, and what I can further source, work for me.
This concept can be true at any range of your budget. While social media can make it seem like you need a $2000 camera and $300 figure to make it in this field/hobby that’s far from true. Continue reading The $5 Photograph
Discouragement, fear, demotivation, I’ve discussed these way too much at this point here (I promise I’ll write about something else soon). But no matter how many posts I write (which end up being extensions of lectures I’ve given myself) about forgetting the world and creating for yourself, there is always more to say.
I am very good at not taking pictures. I’ll have tons of ideas itching at my brain, the supplies to make each one and absolutely no motivation. Whether stress, general creative discouragement, or a world of other thoughts in my head, sometimes I just can’t bring myself to create. The problem there, is that then I mentally beat myself up for not making photos and the cycle continues. Continue reading 6 Ways to Fix your Photo Funk
A strolling Brett gathers mo moss
“Growing little worlds” sounds like a cheesy song title, but it’s a way to create little living habitats for toys to roam.
It was interesting to read Shelly’s post on the outdoors being studios. I especially liked reading that Kristina had shown Shelly that you ‘can do a lot with very little’. Continue reading Growing little worlds
How does a photographer find their own photographic expression? Have you ever wondered? I often wonder if or when I’ll ever find or be content with mine. I often feel that I’m in search of my own expression, or for the right expression. This search has gotten me to see that there is some advice that I believe has helped me to define my style… Continue reading How and when did you find your photographic expression?
If you’re only taking photos for fun, this post is not for you. If you’re happy sharing your images to social media, this post is not for you. If photography is your creative release from the drudgery of day-to-day life, then this post is definitely not for you.
But…maybe your like me and you’re driven to take your work farther. Continue reading The dream is free