Vesa Lehtimäki (Avanaut)
|“The First Attempt” by Avanaut|
Why do I take photographs of Lego? That is a question that took me by surprise a couple of weeks ago. I realized I had never asked myself that question before. Finding the answer was not easy, and it took a brief conversation with my wife for me to see it.
I am photographing Lego because I am a never-was movie director making a living outside the movie industry. That’s what my wife said, and it pretty much sums it up. See, I always loved movies. Star Wars, obviously, was huge, but many others as well, classics and contemporary. As a kid I made some movies myself with my dad’s Super-8 film camera, but film was expensive and my dad did not allow me to hack the camera’s filmport to produce a widescreen format picture. My movies were not very good; a widescreen wouldn’t have improved them, but still. I would build miniature sets and models to shoot, but the miserable camera could not focus on anything, since it had no macro. I grew up watching great movies and reading all about them. As a teenager I subscribed to Starlog, Cinemagic, and Cinefantastique. Cinefex, Premiere and Empire came along a little later. I’m soaked with that stuff; it’s in my DNA. I sometimes dream in 2.39:1.
That was a long time ago.
When I stumbled into photographing Lego Star Wars in 2009, I quickly connected to those times when I dreamed of making movies. I soon incorporated into the photos many of the cinematic ideas I had toyed with in my youth: widescreen, smoke, aerial particles, snow, blizzards, tight closeups and stories — the short stories that I like to write to go with the photos. I think this through via cinema; even my “Leftovers & Alternatives” album in Flickr is allegoric to a DVD “deleted scenes” extra. Lego is a perfect medium for all this. It’s playful, and there’s so much to choose from. You can have a minifigure on a piece of a coloured paper and still make a strong photo with that; yet there’s everything from a coffee cup to the Death Star to add, if you like.
This soon became a sort of creativity outlet, a free turf to express ideas I could not use in my day job as an illustrator. I see my photographs as single-frame plays I can write, produce, direct and shoot, but with characters and concepts I grew up with. In a way, I’m exploring an unfulfilled career path, but with Lego and present day tools, like the DSLR camera. It’s old but it’s new. It’s perfect!
~ Vesa Lehtimäki
|“Breaking in the Tauntaun (Revised & Rejected) by Avanaut|
|“Last Ship to Rendezvous Point” by Avanaut|