We have talked much about the photographers behind the LEGO photography show In LEGO, We Connect, but we have not mentioned the man who has made it all possible: Bryan Ohno of the Bryan Ohno Gallery. I would like to take a moment to talk about what led to this partnership as well as to thank him for his own leap of faith.
Bryan and I go way back to a time when I was creating beautiful sensual underwater figurative photography. We had worked together for a few years in the early 2000’s; which seems a life time ago. When Bryan contacted me in the summer of 2013 to ask me to show my work in an upcoming show on sensuality, I was both surprised and pleased to rekindle our friendship. I had to explain to him that my energies had moved away from figurative work and I had discovered a new passion – toy photography. Although I decided to participate in the Get Naked show, I knew that I ultimately wanted to show my LEGO photography in his gallery. I would just have to prove to him it was worthy of his time.
I really like Bryan’s motto: “to feature works that blur the line between art and science, challenge art traditions, and embrace evolving cultural intersections.” I really feel strongly that what Me2, Avanaut and I create with LEGO falls squarely under this philosophy. It really felt like a perfect match of gallerist and artists.
If you have ever had the pleasure of meeting Bryan he is full of boundless energy. He is quick to smile, easy to interact with and makes the whole process of collecting art fun and never intimidating. I have spent many an afternoon engaged in spirited discussion with Bryan about whoever he is currently showing. My favorite was his recent showing of Yumiko Glover. I am still pondering her work and its multiple meanings.
When I presented my idea of a group show of only Lego toy photographers back in the summer of 2014, Bryan will be the first to say it was my passion for this project that piqued his interest. Over the course of a few months we had several conversations regarding the state of photography, Lego, and talked about calendar placement. I did my best to educate him on everything I knew about toy photography, Instagram and the amazing Lego community that I am a part of. By the fall of 2014 we knew when the show would open and who our major players would be. (Trust me when I say I had to take my own leap of faith when I approached Avanaut to participate.)
I tell you all this because this show is a true partnership of artists / curator and now collectors. Me2, Avanaut and I would love to have the opportunity to do this again both at Bryan’s charming gallery, or some other gallery in this big wide world. But to do that, we have to show that there is an audience for our work.
If you get a chance to check out the gallery and the show in person, be sure and take a few moments to get to know Bryan. Thank him for taking his own leap of faith in presenting this unique show. And if you have the wall space, I hope you will consider supporting his gallery by purchasing some LEGO photography. By doing this you will ensure that he will continue to present interesting shows that reflect and embrace these evolving cultural intersections that Lego photography inhabits.