I have certain rules I set for myself when editing down images into a cohesive set for exhibition. One of them is to not be too attached to any one image and always be suspect of any image I am too attached to. But rules are made to be broken, even this one.
I have an unnatural love for the Chima line of LEGO mini figures, I will freely admit this. Even though LEGO sells this line well, the online toy photography community tends to be pretty disparaging of these figures. I see this opinion reflected repeatedly in the number of likes for a Chima image compared to just about anything else I post. I know that an images popularity is dependent on many factors: when you post the image, who is active during that time and of course the subject. Some figures just have more pop culture resonance than Chima.
Because I can’t seem to make up my mind on the final six images I will be showing next month, I printed two extra images so I could do some last minute editing. I was uncertain what the last alternate image was going to be until I was tagged in someones feed that had posted this image:
This image hit a little too close to home because I was (am?) this kid. Maybe this is why I like the Chima sets so much, because they are the underdog, the nerd, the misfit, much like me.
So I went to my desk and found my favorite image featuring a Chima figure and got it ready for printing. I sent it to The Color Group (who are beyond awesome) for enlargement. I know this image will look great but has little salability (I admit I could be wrong), but I don’t care; I am super excited to see it hanging proudly on the gallery wall.
I can’t stop haters from hating, but if I am going to lay it all out there, I should include one of my personal favorite images of the year. I’m going to break my own rule of not including an image I am overly emotionally connected too, and let the chips fall where they will.
I want to extend a very large thank you to our friends at The Color Group who have been more than wonderful to work with. They are printing all the images for this show (18 large scale prints), working with two artists from out of the country and holding my hand as I periodically melt down. They have made every deadline and printed the work with care and professionalism. I can’t recommend (or thank) them enough.