Just yesterday, Shelly wrote about the power of the number three in photography. Little did she know, I was writing an article centered on the number three as well! I wasn’t thinking of how magical it can be, but about how there are three stages to taking a photo: the Idea, the Setup, and the Execution.
The idea actually came from my wife! She was looking over some of my recent pictures when she mused, “I love how you have to constantly problem solve before you get to the final product!” When I asked her what she meant, she explained that the three aforementioned stages each have unique problems to be solved. Some require a hat trick to complete; others may only have one or two hurdles to clear. As I applied this way of thinking to my catalog of images I realized that every single one had at least one problem I successfully solved. Continue reading The Tricky Trio: The 3 Hurdles of Every Photo
“The world sure seems different from down here, doesn’t it, Scott?”
-Hank Pym, Ant-Man (2015)
I tend to spend a great bit of time and energy hunting new sources of inspiration for my photography. I do this by looking at other people’s photos, getting feedback from and interacting with my peers, or participating in challenges.
The easiest way to find inspiration is to simply add a new LEGO set, minifigure, or accessory to my collection. This usually leads to at least one new photo, or I get lucky and it opens up a whole new series for me to dive into. Continue reading A New Perspective
Earlier this week, Brett discussed what it’s like to chase after your “White Whale” shot, that one perfect photo that’s been floating around in your head for a while and sometimes feels completely unattainable. It’s something I resonated with deeply, as it’s a struggle I face all the time in my own photography. Then it got me thinking…
What happens when you finally take that shot? How do you recover from your “best” photo?
Photography is, of course, subjective, so how you define your “best” shot may vary. For me, my “best” photo is the one I take and think, “Wow! This came out exactly how I wanted it to, and might just be the best picture I’ve ever taken!” Continue reading Recovering From Your “Best” Photo
It’s now officially summer (at least for those of us in the Northern Hemisphere), and like Brett and Shelly before me, I’ve been inspired by the change of the season. However, the sunshine has taken me somewhere I wasn’t expecting it to…
Back into my studio.
That’s right. While the rain clouds that cover most of the Pacific Northwest have subsided and the world is in full bloom, I’ve actually opted to stay indoors to take my first summer photos, thanks to a new find on Amazon: fake grass! Continue reading The Great Indoors
How do you handle your lack of inspiration? I usually look at other peoples work to get inspiration. I do it with hope that I’ll be inspired to create something. But when I do this, sometimes my image becomes a version of someone else work. And that may be a dilemma. Continue reading When is my work only mine?
Call me crazy, but I think our little corner of the internet – the fun corner where all the cool kids hang out with their cameras and their toys – is starting to draw some attention from, dare I say it… the “mainstream.”
Over the last few months, I’ve noticed a lot of toy photography come from sources I wasn’t quite expecting. At the risk of tooting our own horn, I suspect that this awesome community, and most importantly the work of the people in it, have something to do with it!
Continue reading Is Toy Photography Going Mainstream?
The Lead Up
Ok, so I was super nervoucited. (Thanks to a seven year old at my son’s school for teaching me that awesome word!). I’ve been collecting LEGO minifigures and taking pictures of them for almost two years now, and I was vaguely aware of Toy Safaris from mentions in my Instagram and Google+ feeds as well as a few blogs I follow. I had little idea of what to expect, so my mind was spinning with “who’s gonna be there?,” “what will it be like?,” “which toys will I bring?,” “will I be the only dullard using an iPhone 7 and relatively ignorant about photography?,” and “will this event hit my list of the top ten most awkward things I’ve ever done?” (Please don’t ask about that list… trust me.) Continue reading 5 Amazing Things About the San Francisco Toy Photography Safari
“To speak out once for all, man only plays when in the full meaning of the word he is man, and he is only completely man when he plays.” (Friedrich Schiller, Letters Upon The Aesthetic Education of Man)
Last year my pictures had to be radically abstract. This year they are all about miniature people. What happened? And am I being inconsistent in my photography?
It’s about pictures
I have always tried to be very clear about one thing: My photography is not ‘about’ the things I photograph – in fact, I could not care less in many instances. It is ‘about’ pictures because I like pictures. This notion is also supposed to help me escape a certain kind criticism: It has been said that photography is the death mask of reality and that it is not able to surpass the reality it depicts. I wanted to go beyond that. I aimed at pictures that are independent of the time and place they show. Continue reading Think big, shoot small?
Every year I try to have some kind of a photography project. That might be 100 themed photos, 52 weeks projects (1 photo a week) or a 365.
A 365 is where you take a photo every day. I did it last year and I woke up on January first and decided to do it all again. This time, a toy photography only project though.
Am I crazy? Probably. Continue reading One year, 365 photos: a toy photography project
What is photography? And why am I doing photography?
These are questions I come back to over and over again. When I look it up on wikipedia the definition says that photography is:
“as a way of capturing light, to a light sensitive sensor“.
But that answer doesn’t capture what photography is for me.
Continue reading What is photography to you?