In the next few days I’ll be flying out of state for some on the job training for my new position. I won’t have a ton of free time, but I’d like to be prepared for when or if I do. So here I am as a not-travel/outdoor toy photographer contemplating what to bring and what to shoot.
I want to make photos there that I couldn’t here, to have a reason for the location and find a way to interact with the new environment.
“The whole point of taking pictures is so that you don’t have to explain things with words.”
-Elliott Erwitt Continue reading New Beginnings
Taking pictures outdoors is a great and funny thing. You choose from the seemingly ordinary reality the pieces that are becoming new worlds through camera lens and thanks to your imagination. It could be another planet, the Wild West or other exotic place. Besides, you can catch some sun, breathe fresh air, meet other people… erm, wait.
Yeah, meeting other people. It’s difficult to avoid them when taking pictures outside, unless you shoot in the Death Valley or in distant areas of Antarctica [I’m sure there may be some people to be found there though]. Don’t get me wrong, I’m not a misanthrope [or at least I’m in reasonable proportions] and people do not bother me unless they go through the frame. However, both the toyphotographers and passers-by have different sensitivity. And that sensitivity does not always overlap. Continue reading Hey Ho! Let’s Go! [Outside]
I like to create photos like some people like to cook – a little of this, a dash of that, stir the pot and then see what comes out of the oven. While outdoor toy photography definitely has a chance effect about it, similar to experimenting in the kitchen, that doesn’t mean that outdoor photographers, like myself, aren’t crafting our photos with the same attention to detail as all photographers. Continue reading Outdoor toy photography with intention