A Structuralist Tale: Six single pictures that may be seen independently from one another. Yet they are connected by a ‘structural’ idea, a formal rule. The story has no beginning, and no end: Pick any picture you want as a starting point. And you can also read the sequence backwards. Shuffling the pictures would not work though. Does this provide narrative? It is up to you to decide.
“Light comes in flickers, defining the darkness, not dispelling it.”
Neil Gaiman, Neverwhere
Although lighting is crucial in the Noir series, I never payed attention to how exactly I proceed. I do not know much about light. I only have a general idea of the look I want to achieve. And then I kind of play around, which at the end of the day leaves me with lots of pictures that are ‘same but different,’ as they say.
However, since the lighting in this series has been commented on a couple of times, I tried to pay more attention to the process. Here’s what I think I do:
It all started with ideas about lighting
At one point for example, I wanted the central person to be illuminated by light falling out of a door or a window, casting a long shadow. That’s how Noir started, and you can tell from the first pictures of the series that in the beginning, there was the light, and then the story followed. Continue reading And then there was light