Sometimes images come out of nowhere and other times there is a clear line of development. I thought I would share with you one of those moments. The story of the one image and the choices that were made along the way. Continue reading Choices
I will confess I have a crush on a certain little robot. I’m sure you’ve seen him in my photographs before: cute little guy with an inquisitive nature. This crush began in the fall of 2014 when I created this robot from the plans supplied in LEGO Space: Building the Future by Peter Reid and Tim Goddard. Continue reading I have a crush on a certain little robot
I have always felt that a university education is wasted on the young. I went straight to college after graduating from high school and I always felt this was a mistake. So when I picked up a new book last month called 101 Things to Learn in Art School I was intrigued to see what I had missed the first time around. It turns out a lot.
File this under things I have never thought about:
Photography forever altered our compositional sense.
“The camera with its viewfinder that samples a portion of the world, changed our relationship to the frame. The understanding that the frame is artificial and that the world extends beyond it affects the way we compose images. Painters, such as Degas, allowed the frame to cut into figures and objects, implying that part of the subject lay outside of the view of the image. This was a radical change from the centered image of traditional painting where the space inside the frame was a metaphor for the world. Now, we see the edges of pictures as being vital and compositionally active, not dormant and arbitrary.” ~ 101 Things to Learn in Art School by Kit White
This seems at once so obvious and yet so completely foreign to me. In the photography world you hear so much about the Rule of Thirds, but that is only one approach; and a rather safe one at that.
As I move forward into the new year and continue to practice the art of toy photography, I will be paying more attention to this frame and its relationship to the subject. It is time to move beyond the old standard “rule of thirds” and be a little more daring.
I wonder what else I missed in art school?