that in my upcoming travel toy photos I wanted to have “a reason for the location and [to] find a way to interact with [my] new environment.”
During my 2 weeks out of state, I took a ton of pictures –
most of a touristy nature with no toys present. But, one night I did find myself at a sculpture park, with the perfect opportunity to put to use my 2″ tall plastic, electric dollhouse chandelier that I brought with me. I purchased the chandelier with the idea of creating outdoor rooms, of playing with the juxtaposition of inside v. outside space and therefore a looking out on new opportunities, new starts, open windows and doors. Continue reading Learning to Travel with Toys
There are various way to approach the creation of new photos. Personally, I like to think of an idea then figure out what toys and other props would be best to make that vision a reality.
Sometimes I look through my collection, other times I’ll browse online or in shops, and sometimes I’ll make my own objects. I don’t typically make the precise, detail oriented, gorgeous work you’ll see of miniaturists or customizers, but I do make simplistic models that fit my end goal. I like to think of the camera lens as a tool of transformation. Through it, I can make my simple sets come to life. Continue reading Making Toys for Toy Photography
I’ll readily admit I have a lot of supplies for my toy photography – various toys, camera equipment and other gear.
I don’t have the latest and greatest anything, but I make what I have, and what I can further source, work for me.
This concept can be true at any range of your budget. While social media can make it seem like you need a $2000 camera and $300 figure to make it in this field/hobby that’s far from true. Continue reading The $5 Photograph
In the next few days I’ll be flying out of state for some on the job training for my new position. I won’t have a ton of free time, but I’d like to be prepared for when or if I do. So here I am as a not-travel/outdoor toy photographer contemplating what to bring and what to shoot.
I want to make photos there that I couldn’t here, to have a reason for the location and find a way to interact with the new environment.
“The whole point of taking pictures is so that you don’t have to explain things with words.”
-Elliott Erwitt Continue reading New Beginnings
I love toy photographs that make me do a double take. The ones that just look so very real. Bringing toys to life is such an intriguing ambition that many of us share and finding new ways to do so really gets me motivated.
The six image narrative project has me thinking about images I’ve created in series in the past. Some I plan and then shoot all at once, or in sequence over the course of a day, week, month, etc. Others develop more slowly. I have an idea I return to, or a figure that turns into a muse. And with that figure and idea I create one image, then some time later another, until a series forms. Continue reading Focusing on Toes
n. the eerie, forlorn atmosphere of a place that’s usually bustling with people but is now abandoned and quiet—a school hallway in the evening, an unlit office on a weekend, vacant fairgrounds—an emotional afterimage that makes it seem not just empty but hyper-empty, with a total population in the negative, who are so conspicuously absent they glow like neon signs.
-The Dictionary of Obscure Sorrows
~ Jennifer Nichole Wells
Learn more about the six image narrative project here.
Discouragement, fear, demotivation, I’ve discussed these way too much at this point here (I promise I’ll write about something else soon). But no matter how many posts I write (which end up being extensions of lectures I’ve given myself) about forgetting the world and creating for yourself, there is always more to say.
I am very good at not taking pictures. I’ll have tons of ideas itching at my brain, the supplies to make each one and absolutely no motivation. Whether stress, general creative discouragement, or a world of other thoughts in my head, sometimes I just can’t bring myself to create. The problem there, is that then I mentally beat myself up for not making photos and the cycle continues. Continue reading 6 Ways to Fix your Photo Funk
“Have no fear of perfection – you’ll never reach it.”
The reason I am so adamant about measuring success only by your own standards, is that it can be so so easy to give up in this intense creative world. Sure, everyone’s standards of success differ – some may consider success simply having fun, others affluently selling their work, and really everything in between. But no matter your measure, if you let fear and the opinions of others seep into your photographic work, you’ll no longer be creating genuine and fulfilling work.
Continue reading On Times of Creative Discouragement
“A great photograph [is] a full expression of what one feels about what is being photographed in the deepest sense and is, thereby, a true expression of what one feels about what life in its entirety.”
– Ansel Adams
As with any creative practice, photography is so personal that we constantly feel the need to defend it to others and to explain our work. But there is a power that comes in leaving a photo be and allowing the viewer to interpret as they will. Continue reading Leaving A Photo Be
It all started with the word ‘humid.’
In Florida it’s always humid. Go outside with your camera and the lens immediately fogs up. If you want a non-fog filled image quickly you have to wipe the condensation from your lens and hope for the best. Otherwise you wait up to 30 minutes or more until your camera acclimates to the sticky weather.
A couple years ago, I decided I wanted to replicate a fogged camera lens effect indoors. My mom suggested placing something in front of the lens. So really I owe the whole development of this process to her. I had some textured transparency film left over from a college printmaking class and there it was. Continue reading A Foggy Path