I like to create photos like some people like to cook – a little of this, a dash of that, stir the pot and then see what comes out of the oven. While outdoor toy photography definitely has a chance effect about it, similar to experimenting in the kitchen, that doesn’t mean that outdoor photographers, like myself, aren’t crafting our photos with the same attention to detail as all photographers. Continue reading Outdoor toy photography with intention
Our new photo challenge from the Photographer’s Playbook concerns nostalgia.
“As an assignment, create a photographic work that consciously wrestles with the concept of ‘nostalgia’ and photography’s unique relationship to it. The work can be made in any photographic form (although Cotton’s essay focuses on the black-and-white print, it is important to recognize that all forms of photography – color, digital, photograms, camera phones, screen grabs, found photography, collage, projection, and so on – are equally capable of nostalgic power.)
Because of the nature of the assignment’s focus, your imagery might explore notions of the past – immediate or ancient – whether it be photographic, cultural, personal, political, environmental, scientific, or otherwise. But be careful to avoid overt irony, over-sentimentalization, or ‘retro’ pastiche. Genuinely engage with this curious and oddly powerful human emotion through the photographic image.” – Aaron Schuman pg #309
Yesterday KAlexanderson mentioned that the best part of this week was our toy photography workshop and the opportunity to “meet other photographers, work together and share the fun of photographing toys.” Now imagine that experience for an entire week and you might get a sense of what I have been experiencing. Continue reading Influences