Shooting LEGO minifigs is like a game for me, a quest to improve my photography. I invent personas for these iconic plastic toys, build MOCs for them and create worlds around them. With each photo, I rack up experience points, trying to level up my photography. With each new level achieved, I unlock a new skill: shot setups get more creative, shooting becomes more intuitive, editing goes faster. It’s a fun game, this open-ended free roam game of LEGO photography, and I intend to become a powerful wizard. Continue reading Leveling Up With LEGO
First off I’d like to thank Shelly for inviting me to contribute to the stunning world of Stuck in Plastic through the “Why?” series. I feel truly privileged, but also a little apprehensive. My reasons for taking up Toy Photography are something I wasn’t too sure about until I sat down to write this. Well, I’ve always known ‘why?’, but I’ve been in denial of those reasons, until now. Continue reading Why? – Sbphotographs1
Almost every day of the week, I get up at 6:30am (grab coffee #1), trawl the internet for interesting news (while drinking coffee #2), create an image to represent the selected story using toys such as Lego, then post the edited picture on my website and various social media platforms along with a brief summary
…But why do I do it? Continue reading Why? – The Short News
Go to your fridge. Pick up a bottle of beer. Pour it in a glass.
For the past six years, I’ve been running a regular photo project: #30days30beers. This project is a daily photo pairing beer with representative LEGO mini figures. Continue reading Lego goes well with everything – even beer
Why do I take photographs of minifigures? Until Shelly invited me to write a post for the “Why?” series, I never gave this question much thought. On the surface, the answer seems obvious: LEGO minifigures are fun photo subjects and I enjoy sharing the photos with the growing community of toy photographers on Flickr and other social media platforms. However, there must be another reason why I’m willing to spend long and often painful hours hunched over the camera on my kitchen table to create these photos and additional hours on the computer to edit them. Continue reading Why? – by Handstand30
Today I woke up feeling very inspired and with a wonderful feeling of joy. So before getting out of bed, I decided to start my day reading the #StuckInPlastic blog. I then took a shower and set my guys in line to finish my post. As I always need some background noise to do anything so I set my Netflix on Eat, Pray and Love to keep me inspired. My mom says she thinks of me whenever she sees this movie and I can totally understand why. Continue reading Reborn
When I first saw the posts about this year’s Toy Photo Safari popping up in my Instagram feed, I knew I had to make an effort to attend. I wanted to attend the previous meet up in Las Vegas, but the resources and timing weren’t quite there.
Mais descobre huma hora de jogo, que hum anno de conversação.
An hour of play discovers more than a year of conversation.
— Portuguese Proverb
As I returned to the “real world” the Tuesday following the SiP Seattle Toy Photographers Meet-up, I inevitably had colleagues and friends ask about where and how I’d spent my long weekend away. Upon telling most of these colleagues and friends about all I had been up to those four days, their first question was inevitably, “A What Photographers Meet-up?” How do you even begin to explain the incredible experience of a toy photographers meet-up to someone whose mind has never so much as crossed paths with the idea that there are artists, like myself and my fellow toy photographer attendees, who (privately, for the most part) take beautiful and sometimes painstakingly-created photographs of their toys?! Continue reading What you can discover in an hour (or four days) of play
The weekend of the recent Seattle Toy Safari presented several opportunities for us toy photographers: The chance to meet friends we only really knew by their Instagram handles, to make new friends (and, in turn, swap Instagram usernames), to borrow toys for unexpected and unplanned shots, and more. For me, the meetup also came with a challenge: I had to actually shoot outdoors!
I consider myself primarily an indoor toy photographer. A viewer of my photos will find more shots of superheroes playing with their cats than they would Chima in the wild. Part of that has to do with the fact that Mike, Vesa, and Chris McVeigh were my biggest inspirations for getting into Lego photography, and as you know, they primarily shoot in-studio. While I’m not quite as control-oriented as they are, I do find that my particular sensibilities and ideas as a photographer gravitate toward indoor scenes.
At first I was anxious when looking at the schedule for the Toy Safari, which took us into the heart of Seattle, and to various parks, forts, and nearby waterfalls. Beyond that surface-level nervousness, however, was the excitement to try new things, and venture outside of my own photographic comfort zone.
“If we’re growing, we’re always going to be out of our comfort zone.” – John Maxwell.
As Shelly recently mentioned, approaching photography with “an openness to the possibilities” can lead to some fantastic surprises. Over the weekend, I discovered something about myself I didn’t know: I actually enjoy shooting outside!
Granted, it took me a while to get the hang of things. I’m used to setting up my scenes in a lightbox or near a window, placing my camera on a tripod, and slowing my shutter speed to let in more light. Upon taking my first outdoor photos, I had to immediately mess with the camera settings – taking them away from the numbers I’d found so familiar and “safe” – and do some good ol’ fashioned trial-and-error.
Apart from the technical changes, I also had to examine my own creative process. How could I take my actual ideas and place them in the real world, away from the small living rooms or alien landscapes I’d created on my kitchen table?
This turned out to be a pretty satisfying creative problem to have, as it required me to examine my batch of minifigures differently. Rather than literally creating the scene around the figure, I had to do the opposite, and find a way for the figure to inhabit the natural surroundings I found myself in.
From there, new ideas had to be forged. What was the minifigure doing? What story was I trying to tell? I didn’t want to simply shoot the figure in the grass or by the ocean – I needed an angle, some kind of hook.
To my surprise, it was extremely fun to dig through my toy box, mix and match accessories, and see what kind of scenarios or stories I could create using a natural environment. I can’t exactly create an ocean at home (not without my wife or landlord getting upset, anyway), so it was fun to gaze upon my minifigs and place them in situations I’d never be able to conjure up while inside the comfort of my own home.
I’m very happy with the results, and I learned quite a few things over the weekend. Apart from some new technical tricks, I learned more about myself, the nature of my own creative process, and how fun it can be to bring my ideas into a new situation or location. I doubt I’ll soon get used to seeing these outdoor photos on my camera roll, but I’m sure glad they’re there, and I cannot wait to add more of them!
~ James Garcia
Soon, I’ll take my family and board a plane and head to Seattle for a toy photographers meet-up. Why? Yes, why AM I going half way around the world to take photographs of toys? Continue reading We’re soon leaving for Seattle