I wrote about why I wouldn’t manipulate my photos beyond the simple edit before. I wrote about how the perfectionist in me would still see me in front of my computer hours later if I embarked down this road.
However, I’ve established a middle ground. And this medium is thanks to my old friend, time.
I’ve set the stopwatch. I’ve set a self-imposed constraint of 20-minutes for photo manipulations. Once the countdown stops at zero, Photoshop stops too!
Setting a limit puts a stop to the procrastination, the over finessing, and wasting away hours at the computer. Who’s got the time to spend hours and hours editing one photo? Not me!
Rest your head on me
I’ll smooth it nicely
Rub it better ’til it bleeds
And, and you’ll believe me
P J Harvey – Rub ‘Til It Bleeds
Continue reading Ready, Set, Edit!
When I present or post an image like this I get a lot of questions on how I made it. So I’ve made an effort to take a few behind the scenes photos as I shoot or prep a shot. Here’s my first attempt at deconstructing an image and the process that led to the final result. Hopefully, this will help answer a few questions regarding my editing process.
- Light Painting Brushes Universal Connector
- Light Painting Brushes 9 inch White Fiber Optic Tool
- Red gel (dollar store gift wrap)
- Canon 5D
- Canon 50mm Macro f/2.5
- Manfrotto 190X Pro B
Continue reading Raging Rancor Deconstructed
I have raised my kids within the Montessori system of education which believes in the natural progression of learning that moves from the concrete to abstract. This concept is defined by the children first working with physical objects like wooden blocks and beads that represent abstract concepts like the number system and mathematical equations. Continue reading Moving from the abstract to the concrete
How many times have we talked here about the choices we make during editing, about reviewing and re-editing older images, about planning months or years to get that one image that we can’t get out of our mind? Many! Continue reading Getting a photograph is a process
True confession: After 30 years of being a photographer i’m tired of faking it. By ‘faking it’, I mean passing off my mediocre photography editing skills as ‘professional’. This past weekend I took a small step away from ‘Imposter syndrome‘ and one step closer to my ‘new years resolution‘. I spent a good part of my Saturday learning Photoshop (PS). Continue reading I’m Tired of Faking It
When you take a photo you are making a choice. Or more precisely a series of choices; the subject, the location, the lighting, the angle, the depth of field. You are constantly fine tuning each of these choices with each photo taken.
Each minor adjustment can create a huge change in the final photos meaning and look. Continue reading Choices