Sometimes I think the goal is to make a great emotionally packed image and sometimes I don’t. If it was all about the perfect photo then why are we sharing on Instagram, Facebook, Flickr and Google+? These are all social media sites aimed at connecting people with like interests. People you know and people you don’t know…yet.
I recently received in the mail a very special print from +Me2. It is my favorite image of his (amongst many) and I will cherish it for many years. He is someone I wouldn’t even know existed if it wasn’t for this amazing thing we call the internet. This past weekend I went out photographing with good friends, all of whom I have met through the power of social media. A few weekends ago I met a couple of lovely Instagramers from a town three hours away and because of mutual interests became fast friends.
Suffice it to say, my life is filled with new, old and future friends met through my interactions on multiple social media platforms.
I may not be able to sell a photograph to save my soul, but I know my life is all the richer for the friends and connections I have made all over this planet. My only goal now is to make enough money so I can take a world tour and meet everyone in person.
Now that would be a gift of inconceivable value.
What is most important to you as you play on your various social media sites?
Why are you participating?
What does it mean to you?
Now if only Me2 would drop by the blog soon, I am starting to get maudlin. I dread how far I might sink tomorrow.
I was editing photos from this weekend’s photo shoots and I showed this image to my daughter. Her response caught me off guard. She said: “I like it, but why?” I looked at her blankly and she continued… “You have aliens on bikes and swamp monsters in swamps, why is the swamp monster on a bike?”
Personally I really liked the image but I understood what she was saying. What was the story? What was I trying to say?
I am continually torn between a good image and a good image that also tells a story. To me that is where the magic happens. If only I could figure out how to take photographs with more intention, rather than photographing like a blind folded darts player.
Do you think about the story you are trying to tell? Or are you like me, and just surprised and happy when it all works out?
My husband is constantly telling me that “If you want to know what someone wants to do, then just look at what they are doing. ” Normally he isn’t very perceptive…in this case he is.
I have a wonderful weekend planned that involves a trip to the toy store for photo props, a “photo safari”with three awesome fellow toy photographers, videoing Rodrigo y Gabriela for KEXP and a wonderful dinner with my family for that dreaded US Hallmark holiday, “mother’s day”.
Yup, this weekend is filled with so much awesome, just thinking about it puts a stupid grin on my face.
I haven’t always been this blessed, for much of my life I didn’t even know what happiness was. When you are completely miserable there really isn’t any where to go but up or out.
So I urge you to hang with your friends and whoever you choose to call your family this weekend. Play with your toys, take a few photographs and think about what makes you happy and then go and do it.
If you always do what interests you, at least one person is pleased.” – Katharine Hepburn
Of course, there will always be those who look only at technique, who ask ‘how’, while others of a more curious nature will ask ‘why’. Personally, I have always preferred inspiration to information. – Man Ray
I could spend my time explaining photography technique, talking camera gear or trading tips on editing apps…but I think a more interesting question is why do we (all of us toy photographers) take photographs of Lego mini figures.
I did not grow up with the toy, it is not a part of my history, it is not a big part of my cultural heritage. In fact I am probably one of the most inept brick builders on the planet. Think Emmet at the beginning of the Lego movie. My greatest skill I bring to my family’s Lego obsession (their’s not mine) is my impeccable sorting skills.
So what is so attractive about these little plastic friends? Is it our ability to project our own thoughts and dreams on the many different characters created? Is it a need to revisit our child hood and rediscover the joy of play? Is it sheer boredom? Is it a release from the stresses and pressures of life? Is it simply proximity and easy access?
What is your inspiration? What keeps you motivated and moving forward photographically?
Once you know this, life will not be able to side track you, no matter how hard it tries.
This morning while I was enjoying my morning bowl of mush and reading the Wall Street Journal I came across a wonderful article on photography. It had me on the first paragraph:
Ansel Adams, a piano prodigy before he picked up a camera, once declared that the photographic negative was like a musical “score,” while the final print was akin to the concert “performance”. – except from What does Art Look Like by Richard B. Woodward
This brought me right back to the conversations that +Me2 and I have been having about the pros and cons of printing your own work. Yes, printers are a pain in the ass and the ink expensive. Yes, you can send your files out and get a perfectly serviceable image back. But if you want to take your game to the next level there is nothing to compare to making minor and major edits to a print based on seeing a proof come directly out of your own printer.
When the world was only shooting in black and white it was not uncommon to have a dark room in your own house. With the advent of color printing this became unfeasible and most photographers where content to send their film to a lab for printing. Now with excellent inexpensive printers (a relative statement I know) plentiful, it seems a shame to send out what can be done easily in the comfort of your own home.
I’m not usually a control freak, but I find it indispensable to see what my images look like off the screen before I deem them worthy of showing and selling. Light, color, shadows, highlights all look different and once the image is on paper. I will often see corrections that need to be made that I could never have foreseen by looking at a screen.
So call me old school, but I agree with Ansel Adams and feel that to fulfill your potential as an artist you need to print your own work.
Go ahead and read the WSJ article I mention earlier, it refutes everything I just said.
In further defense of printing, if I had not enlarged this image myself, I would never have seen the spider climbing on the rock. This is a detail that can only be seen at A2 or larger, but in my opinion it makes the image.
I love chapter eight of Steal Like An Artist! The title is: “Be Nice. (The world is a small town.)” If you’ve hung out in the world wide toy community of Instagram for any length of time, you know how very true this statement is.
It is easy to be influenced by all the great toy photography being posted on Instagram, Flickr, G+, Facebook and misc blogs. I myself have borrowed an idea or two over the past few months; no one is above being influenced by their peers.
So lets review how to steal like an artist. (This handy little chart, from the book by the same name, is a great guide.) When you “steal” it is about incorporating, not recreating verbatum. If you take a great idea and put it through your own internal filters, it is bound to come out completely different. If you transform and remix your inspiration, especially if your inspiration comes from several sources, you will no doubt end up in a completely different place from where you thought you were going. In my experience it will be a better, truer place, which really is the whole point. Right?
Remember, it’s a small world and social media sites like Flickr and Instagram have shrunk it just a little bit further. So follow this guide and your work will flourish and no one will be accusing you of being that guy or gal.
Today we are between May 1st and May 4th. Both days have major significance. Yesterday +Me2 reminded me it was International Workers Day in much of the world and right around the corner is May the Fourth. This is practically a Star Wars holiday in the geek world. The closeness of these two “holidays” is not a coincidence. I don’t believe in coincidences.
Earlier when Me2 asked in a post if the seasons effected how and what we photograph, it got me thinking. Why do we choose the figures we choose to shoot? Why is the most photographed figure in the toy community the ubiquitous Stormtrooper? You’ve seen him, I know you have, he’s everywhere!
Personally I haven’t been attracted to the Stormtrooper figure but a lot of people are. He has been photographed in every conceivable situation in a variety of sizes and styles. He is portrayed as the bumbling fool, the guy who can’t shoot straight, the deep thinker, the adventure seeker and the doting parent. A far cry from the elite soldiers who used brutal tactics to keep the Empire in line. This photograph by +Cellblog 1138 is a great example of the humanization of the Stormtrooper into the stern parent sending his “child” off to bed. The Stormtrooper has morphed from a dreaded enforcer of the Emperor’s will to a representation of the fallible yet lovable every man.
Maybe I’m stretching a point (it wouldn’t be the first time). I think the figures we are attracted to photograph actually mean something. I think we choose figures / character we can relate to. I think we then take it the next step and imbue them with our own emotions and personalities.
Do you have a favorite mini figure you like to shoot? Have you thought about what that figure means to you? Would you be willing to tell us who your favorite is and why?
Feel free to tell me I’ve gone over the deep end or tell me “Duh!”, whichever is most appropriate.
And as always, May the Fourth be with you!
For the record I have replaced the Pandas for Storm Troopers in my little plastic world; they represent my Everyman. My favorite mini figures are the Chima Eagles. I like that they come in both black and white and therefore can represent good and evil.
K. I. S. S. stands for “Keep It Simple, Stupid”.
I was reminded of that simple phrase when +Christoffer Östberg posted this photo of Embo to G+ today. When you are editing photos on an iPad or iPhone it is so convenient to whip out an effects app to create a little mystery or a little sparkle.
It was inspiring to hear Christoffer say this mysterious effect was simply the smoke rising from a recently extinguished match. It was great to see him take advantage of the macro format as well as the unpredictable element of the rising smoke.
So not only did I walk away with a great reminder of one of the basic tenants of photography, I was also inspired to try something new.
Oh…and did I mention that I now have a serious case of mini figure envy.
We are all influenced in our work, whether we are aware of it or not.
Last fall I had to write an artists statement about my work that included its origins and influences. I named the usually suspects like Sally Man
and Jock Sturges
because I am first and foremost a figure photographer. These two photographers have been very influential in my work over the years, but I needed to bring my figurative work around to toy photography. As I wracked my brain one image came to mind immediately.
Untitled (falling buffalo) 1988-89 by David Wojnarowicz
I remembered when I first saw this image in Aperture Magazine and it’s always stuck with me. I think it may be the original seed planted way back in the dark ages of my youth that has blossomed into my current plastic passion. When I revisited this image I was startled to find out it was not a toy photograph at all. I had originally misinterpreted (or conveniently forgot) its origins. This was an image taken by David Wojnarowicz of a museum diorama in the late 1980’s. (For an excellent analysis of this deceptively simple photography go here
The humanity, agony and tragedy captured in this one off image quickly taken in a museum with a film camera with poor lighting before a guard stopped him is a very powerful image to me. It’s one I turn too over and over again in the hopes that I too can create an image as powerful and simple as this one that will stand the test of time.
So the question I ask you to consider is this: who inspires you? Who are your influences? What are the images that you have seen (in any relevant medium) that inspire you to do your best work?
If you care to share please leave a comment. I would love to know what stokes your creative fire.
I hope you had a chance to read +Me2‘s latest blog post “Day IV”. Even though he is already suffering from blogging fatigue, it was a good one. If you didn’t get a chance to watch the excellent TED talk on the near win by Sarah Lewis, I urge you to give it a view. If you would like the condensed version I refer you to the following quote by Imogen Cunningham:
“ Which of my photographs is my favorite? The one I’m going to take tomorrow.”
As an artist I can qualify the near win into two categories. The first is the image that I have created that doesn’t meet my expectations. The image I present to you today falls into this category. I really like the image and I felt I got close to the emotion I was trying to convey, a mother watching over her new children. I wanted a leading line towards mom and I will probably need to rearrange them to better achieve that effect. The main reason I will retake this photo is the rock surface; I would have preferred a softer ground for the baby spiders more suggestive of a nursery setting. I do love a challenge and I will be taking this picture again as soon as it stops raining.
The second type of near win is the dissatisfaction that comes from growing as a photographer. I can’t tell you the number of times I have seen an image for the first time as it emerges from the printer and have been blown away by the finished product. But over time familiarity and the emergence of the next new image has me feeling dissatisfied with the first image. No matter how wonderful it might have been at initial glance, I now barely give it a second look.
It is these near wins that keep me motivated to move forward and to keep making new images. I hope you will value your near wins and realize they are a natural part of growing as a photographer and as an artist.