First and foremost, I would like to thank Shelly for inviting me to be a part of this blog and the ongoing “Why?” series where Lego photographers alike share about why they take photos of Lego. Continue reading Why by Castleinthepool
I apologize that it’s taken me so long to reply (once again). Things are finally starting to slow down a bit, and more terrifyingly, I seem to have some time to myself!So, I’ve been going through the “Why?” series tonight and trying to get a handle on it. There are two obstacles that I’m not sure I can overcome, to be honest. The first is that I am incredibly uncomfortable writing about myself, though when pressed, I have certainly capitulated. The second (and likely more difficult obstacle) is that my answer to “Why?” isn’t especially happy. It extends far beyond the subject of photography, really, and I find it hard to separate it from the larger question of why I do anything at all. Why I am driven to excel; why am I driven to prove my worth over and over again?You’re quite correct when you state that the answer may take some introspection, although I have actually been aware of this for some time now. I say this not to illicit sympathy, of course; it’s a statement of fact and I’ll admit that I’m somewhat embarrassed that the answer is so cliché – as the child of two self-involved alcoholics, I developed a habit of seeking their attention (and more importantly, their approval) through achievement.It’s fair to say that this shaped me into a fiercely independent person. I was a shy but willful child, and thankfully had the presence of mind to make my own decisions. I would not become a doctor or lawyer or whatever high-paying, high-status vocation they’d propose; no, I would do things my way, and earn their respect my way.30 year later, I’m still doing things my way (for better or for worse), and I do it because it’s what I want.But on the rare occasion that mom messages me to praise a recent photo, I am that child all over again, and I am so proud.
for what reason, purpose, or cause?:
“Tell me why are you’re here?”
for or because of which:
“There is no reason why he shouldn’t”.
an introductory expression of surprise, disagreement, indignation, etc.:
“Why, don’t be so silly!”
Let me premise this by saying that I’m not a photographer. Heck, I don’t even own a real camera. I’m just a knucklehead with an iPhone!
Recently I have been reaching out to photographers I admire and asking them to write for our “Why?” series. The response has been overwhelmingly positive, but once these talented photographers start trying to express the obvious in words, they tend to get bogged down.
Today I thought I would try to explain why this statement is important and try to help bring some clarification to the process. Continue reading The “Why?” Statement – guidelines
I was once asked “What is so special about Stormtroopers? Why are you using them so often?..” I had literally more than a hundred answers for that one question, all related to their signature presence in Star Wars series. But those were all emotional explanations.
When I began writing this, I went about it all-wrong…
I treated it as an assignment. “Why do I photograph toys…?” Hmmmmm.
I went off on an “artsy-fartsy” tangent and got all philosophical. “I PHOTOGRAPH TOYS BECAUSE THEY ARE THERE!” Or something like, “Well, often times my figures express how I am feeling much more succinctly than I ever could….” Maybe even, “The question that lies at the very core of our existence as human beings may perhaps, be answered by a photo of that ONE action figure, HARUMPH!”
Of course, that’s all absolute nonsense and the answer to the question – WHY – is much more simple than any of that.
When I was growing up, my Father was an Officer in the United States Army. When asked what I wanted to be when I grow up, my answer was always “I wanna be an Army man like my Dad!” I can directly attribute my enormous collection of G.I. Joe figures (yes, the originals with fuzzy beards and Kung-fu grip) and plastic green army men to being raised as an Army Brat. Those figures suffered through unimaginable battles. I’d melt pieces of them out, create a small hole and place shredded cotton, colored red with a marker, in the holes to simulate blood…than take them outside, set them up somewhere and take pictures.
After I’d burn up a roll of Kodak 110, my Mom would take that film to get them developed somewhere…I vaguely remember a shack in the middle of a parking lot off of Highway 440 in Killeen, Texas. Than, what seemed like many years later, we’d get the developed roll back and I’d tear open the envelope to stare at my glorious war scenes I’d recreated! Of course, the photos were terrible, out of focus and blurry. But I had taken an idea I had in my imagination and “made it” real.
Star Wars captured my imagination in 1977 like it did every other kid of my age at the time. It was like nothing I’d ever seen before. Stormtroopers, Darth Vader…. light sabers, blasters, A DEATH STAR! Let me say that again and this time imagine you’re nine years old, sitting in a movie theater, speechless, and a figure clad in black armor, wearing a helmet that looks like it’s from one of your nightmares, mentions THE DEATH STAR! WHAT ? ! ? My toy photography took off in a new direction…
I spent many, many hours setting up R2-D2 and C-3PO in the playground trying to recreate scenes from Star Wars. Hard to do with the limited number of figures available at the time, but damn if I didn’t try my hardest.
Fast-forward thirty years and toy photography has become my “creative outlet”. I’ve always done it, before there was a name for it and long before social media existed. A few years ago, I was messing around with a clone trooper from the Star Wars saga and on a whim I posted it to Instagram. It wasn’t anything fancy. The trooper was sitting at the end of a beach chair and I was fortunate enough to catch some lens flare. Surprisingly, the picture was a hit with (GASP) other toy photographers!
There were OTHER people that were doing the SAME THING!
My weird little hobby had found a home. I’ve met some incredibly talented people in “IG Land”. I’ve been inspired, amazed and sometimes, literally speechless when scrolling through my feed. So many talented people across the globe, all taking pictures of toys, with the dedication, enthusiasm and achieving the results you’d expect to see in an art museum.
So why do I photograph toys?
I guess because I always have. It’s a part of who I am. I’m always looking for a way to improve my shots and discovering new techniques to employ. I enjoy the entire process. Toy photography is a small and fairly specialized genre… I certainly hope I’m part of it when it’s noticed AND respected for what it is, by a much larger audience.
~ Matt Rohde
We are very happy to announce that starting next week Matt will be posting a weekly feature here at StuckinPlastic and I couldn’t be happier! I have long admired his photography and the (often) poignant stories that accompany them. Matt has been a big inspiration to me and my own toy photography and after reading his “Why?” statement I understand that much better. I hope you will give him a very warm welcome. ~ xxSJC
This post is part of our “Why? series”, where we interview toy photographers around the world and ask them the simple question: Why?
The Poetry of the Streets
|“Welding” by Christoffer Östberg|
|“Mono Wheel” by Christoffer Östberg|
|“River Crossing” by Christoffer Östberg|