Reality vs the suspension of disbelief is a very strange phenomena in the Lego universe. It’s seemingly arbitrary rules continue to amaze me.
Yesterday I posted this photo and the talented +Gordon Webb commented “Great shot Shelly. The pink strat is upside down, unless the squid is a lefty, and plays like Hendrix. :)”
We are willing to accept a guitar playing squid and singing mermaids but not the guitar in a non standard position. The last time I looked, the definition of a guitar is a six or 12 string instrument, not three. What kind of instrument is this really? Does it matter? Is that kind of attention to detail necessary?
There is a trend within the Lego community for an AFOL (or TFOL) to create a signature figure that represents themselves. I myself have a fairly distinct red headed figure I have used for well over a year that is my Lego alter ego. (She even has her own Lego alter ego.) This figure looks nothing like me…nothing. I was talking to a woman the other day who I have know for a few months. She met me first through Instagram. She told me that on our first in person meeting she was very disappointed to find out I looked nothing like my mini figure; where was my pink hair!?!
People take great pride in recreating famous land marks, album covers, particular cars and just about anything else you can think of in the human world with their Lego. In fact many of Lego’s most iconic sets are based on something in the human world: The VW Bug, The Taj Mahal, The London Bridge, The Lego UniMog …the list goes on and on.
But where is the fun in that? How come we can’t make cars that grow flowers or crazy houses that twist and turn, bridges that don’t conform to logic or create a mini figure that looks like who we want to be? Why can we suspend our disbelief about a talking squid and some mermaids but not with an upside down guitar? For all I know Squidward taught Jimmi Hendrix everything he knew about guitar playing. Because in MY Lego world anything is possible.
If you have a Lego mini figure representing you, does it look like you?
When you create with Lego do you work from photographs or from your imagination?
PS – I hope you will check out Gordon’s work on G+ or on Instagram. He creates wonderful, fabulous, unique mech’s – each a thing of beauty that has no basis in reality.
Have you noticed how much toy / childhood imagery there is in the art world lately? Maybe I’m just fine tuned to this genre due to my involvement in the Instagram toy photography community. I noticed that at the art show I was recently attending there were more than a few artists working with toy / childhood imagery in a variety of mediums.
For example there was the titillating photography using HO scale figures called bodyscapes, the crazy 3-D toy collages by David Burton (seriously check this guys work out) and more HO scale photography by Audrey Heller. But my favorite by far was Joachim Knill’s paintings of imaginary stuffed animals.
I first met Joachim many years ago when we both created photography to sell at arts & craft shows. His work has alway been compeling and nicely off kilter. His latest series of paintings is titled “National Treasure”. The idea behind National Treasure is that these paintings are artifacts from another world inhabited by stuffed animals. Just imagine a formal gallery that has been dropped in the middle of your street and these portraits of stuffed animals in gilt frames are there to be “shared, viewed and consumed, ” and you might begin to understand the concept.
These renaissance styled paintings are slightly disturbing yet endlessly intriguing. They are beautiful haunting images that take me back to my childhood and my own well worn stuffed animals.
Talking with Joachim and hearing him refer to his paintings as cultural artifacts was fascinating and certainly rang a familiar bell in my head. I think that whenever you are dealing with mass produced consumer goods in your art work that some aspect of the cultural artifact will naturally occur. It only remains to be seen how you interpret and reflect back your own culture using these ubiquitous objects. Will you become a social commentator, a mirror into the past or create a path into a parallel universe? The possibilities are endless.
I encourage you to look around and see what other artists are creating. It feels like there is a brave new world of toy art upon us.
Tripping Horse Battle Scene by Joachim Knill
38.5″ x 48.5″
While we await news of +me2’s grand adventure, I’ve been having a small adventure of my own.
When I left town a few days ago, I packed a wonderful collection of Lego and all my camera gear with grand intentions. My family and I would be driving nearly 1800 miles (2824 km) across the US and we would be passing by some of my favorite places in the country like Yellowstone National Park and Moab, Utah. I was going to be ready!
Five days later, not a single Lego picture was taken, not even a quick iPhone photo. What happened? In our spare time we decided to do stuff a 9 year old boy wanted to do: a train museum and a dinosaur museum were the highlights. Besides having fun I realized I was actually taking a much needed mental break. I have enough photos on my iPad to feed the Instagram beast for a couple of weeks and it was more important for me to take a breather.
When you embark on your creative path, it’s important to realize that when you’re not working on your work…you probabaly still are. Even when taking a break, your mind will continue to be working out those artistic road blocks. And this is what happened to me this week. At some point while driving I realized where I wanted to go next with my Lego photos and what my project would look like. Now I can’t wait to get home and get started.
If you’re feeling stuck or unmotivated, simply kicking back and relaxing is the best course of action. Let your subconscious work it out, more than likely it’s already got the answer. Sometimes you have to do nothing to move forward.
I have had a request to do more photography tips on the blog. If this is something you would like to see, please leave a comment below.
Congratulations! Like many people you might have the fantasy of quitting your mind numbing job and joining those carefree bohemien artists creating and selling their art. This is an admirable goal and I salute you.
Before you embark on your dream I ask you this one question: do you support the arts yourself? Do you buy from artists directly? Do you attend arts & crafts shows? Do you purchase the music you listen to?
If you want people to support you as an artist you need to support other artists. It’s as simple as that.
If you were to come to my house for dinner I will prepare the meal using a hand made knife and cooked in a hand made skillet. I will serve your meal on hand made dishes and glasses upon my hand made table. (If I really like you I will pull out the fancy hand made silverware!). As I am preparing your meal you can look at my walls covered with original paintings and sculptures that have been collected over the years. I might be wearing one of my many hand made sweaters and most certainly some hand made jewelry. Of course since my house is always filled with music, we will be listing to my latest music purchase. While you are waiting you might even browse my extensive collection of band posters, records or books… all of which I have purchased to support the various artists that I love.
To me this is what supporting the arts looks like and I have a very good reason for living this way. If I buy from artists, they will often buy from me. Artists will often be your first paying customers. If they have money in their pockets they support the arts, because like me they know how important it is to purchase from artists directly.
I’m not saying you have to buy all your gifts and household items from artists, but next time you are out looking for a creative gift, look beyond the mall and you might be surprised at what you will find. Supporting the arts doesn’t have to mean writing out a donation check to some semi-anonymous arts institution, it can encompass an entire life filled with hand made goodness.
Simply put, what goes around comes around.
Do you support the arts?
If so, how?
If not, why not?
I do get bored of posting my own pics on this blog. I would be happy to post other members images here as well. If we are not connected through Flickr, lets make that happen.
I confess I’ve been watching documentaries again. This one was about Werner Herzog and his epic struggle to complete his movie Fitzcarraldo. The documentary, Burden of Dreams, concerns a movie maker on a seemingly Sisyphean task who’s main character is on a similar, nearly impossible task.
As Werner Herzog is talking about his project, after hitting the umpteenth major snag, he said the following:
“If I abandon this project, I would be a man without dreams and I don’t want to live like that.”
The above quote really struck home.
It is good to remember that dreams are a burden. They ask much of us; sometimes too much. But like Mr. Herzog you have to keep going, no matter how tough it gets. You have to nurture your projects and the dreams they come from. It doesn’t matter if success or failure await you; living without dreams would be a very bleak existence.
Have you ever though about quitting?
If so, what kept you going?
I had the pleasure of watching this documentary film recently and I wanted to share it with you. During the 15 years that The Photo League of New York existed, they nurtured, celebrated and discussed some of the greatest photographers of the day. This documentary is a veritable who’s who of photographers who were practicing at the time. These are people who wanted to change the world through there photographs. They wanted to make a difference and for the most part they were successful.
I urge you to take a look at the trailer and hopefully find the time to watch the whole film. It is good to know the historic foundations of your passion. Many of the figures discussed in this documentary I knew of from my own photo history classes. It was inspiring to hear them discussed in context of The Photo League and it also gave me fresh perspective on this important stage of photography’s history.
I can relate to +Me2 and his Sunday Painter plight. I am not sure any of us has the stamina or the time to create meaningful art on a daily basis. It is so much easier to do the laundry, cook a meal, play video games or any of the thousands of distractions we encounter daily.
Before anyone gives up on this so called battle lets talk about what creating art on a full time basis looks like. Because sometimes I think people have a grander notion of what being an artist is. What it’s not: painting every day in your studio, listening to classical music while your faithful cat keeps you company (or insert personal fantasy of your choice here). What it can look like is thinking about what you want to make, planning out your image, gathering supplies and props and sketching some ideas in a work book. Often it means simply staying caught up on what’s going on in your field, understanding the changing marketplace and researching the past. Day to day tasks often involve organizing work, matting final images, networking, bookkeeping, meetings, phone calls and e-mails like any other grunt worker.
Finding success in the market place is a mixed blessing. The process of creating and selling the same old same old that pays the bills can be a soul deadening experience. For most artists creating new, exciting and challenging work on a regular basis is the exception. In a way relegating them back into the category of the “Sunday Painter”.
For the working artist (or the Sunday Painter) the greatest luxury is creating art that inspires you.
What does your perfect artist life loo like?
I chose this image by +Gordon Webb to illustrate another time suck that is a big part of our weird Stuckinplastic world,,,forever sorting.
Did you take the time to listen to the TED talk suggested by +Me2 yesterday? I did and I was mildly amused by Sting and his talk. Maybe I was not as taken by it as Me2, but that can be explained by the fact I was also working.
I think it is important to realize that every artist struggles with the artistic process. No matter if you are a multi platinum musician who makes enough off his royalties to live in a chateau and grow his own grapes or the beginning photographer. The creative issues are the same if not the income stream.
So, yes we are all in similar (I will never say: “the same”) boats. The goal is to make relevant art that speaks to who ever might view, listen or read our creative works. There is no magic formula to success, I wish there was. But I do know that if you speak from the heart and are true to your own voice you will make a connection with your audience.
I think it was interesting that Sting had to go back to his roots, the ones he had been denying, to find the motivation and his voice again. Sometimes you have to go to the dark places, the places you want to avoid to do the work that needs to be done. I think the trick is to take your viewers on your journey with you, but still allow them to find themselves in what you are saying. To be personal, but still universal.
By creating honest work we will find ourselves a little closer to the answers and hopefully maintain our inspiration.
Where do you get your inspiration?
I leave you with a song by one of the bands that has inspired me the most: Cloud Cult. They managed to take a personal tragedy and create some of the most beautiful music while working through the pain. Craig Minowa is a testament to the “Art Saves Lives” motto. Remember: no one ever said this would be easy.
I don’t think there is any skill harder to develop than the ability to stay motivated. No matter what you are doing, taking photographs, building your latest MOC or writing the next great novel, staying motivated is hard.
It’s easy to get distracted by day to day obligations, or worse yet just quitting altogether, because creating art is hard. But there is a trick to not quitting, make friends with people who share your passion. Surround yourself with supportive excited people who like to do what you do. Get together on a regular basis and share what you’ve been working on. Geek out, it’s fun!
I know that toy photography is a rather specialized photo niche and Instagram can be a great substitute for a local photo club. It can function like the most amazing and supportive group of fellow photographers you could ever hope for. Plus by getting in the habit of posting once a day, every other day or whatever you can commit to, you will be getting better just by shooting consistently. It is also a great place to make friends who share your passion for toy photography.
So get out there and shoot some photos with your camera, your phone, your fancy DSLR…it doesn’t matter what the photo looks like. Some days your photos will be awesome, other days, not so much. It goes with the territory. Post your photo to Instagram, get some feed back and do it again tomorrow. It’s doing the work that is important. Of course the real fun begins when you look back over your feed and see how much you have grown.
And THAT will feel much better than quitting.
Do you find it hard to stay motivated?
How do you stay motivated?
While you are trying to figure out what European City +Me2 is currently in, I want to distract you with a book recommendation:
Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles & Ted Orlando.
I read this book many years ago and it was helpful when I hit a few creative rough patches. I thought I would give it a read again and see if it could shed some light on many of the creative concerns I hear mentioned by my friends on Instagram. Ideas like motivation, inspiration, talent and approval to name just a few of the common themes I hear mentioned in one way or another.
After the first page, after just the first paragraph, I wanted to scream out: THIS IS IT! I don’t know how I can express to you how good it feels to read this book. It is like having your favorite, trusted art teacher tell you all your fears and doubts are ok, that we all have them. It is normal.
Since I know you are not convinced, here are a few quotes from the first pages to tantalize you:
”Artmaking involves skills that can be learned. The conventional wisdom here is that while ‘craft’ can be taught, ‘art’ remains a magical gift bestowed only by the gods. Not so.” Art and Fear, page 3.
”Even talent is rarely indistinguishable, over the long run, from perseverance and lots of hard work.” Art and Fear, page 3.
”You learn how to make your work by making your work … art you care about — and lots of it!” Art and Fear, page 6.
Pleas don’t be dissuaded from this book by the word “Art”. It is relevant to anyone who is trying to be creative, no matter if you are a painter, a jeweler, a musician or a writer. The observations in this book are for everyone who wants to be creative. So I beg you, plead with you, to go to your local book store and grab a copy of this work of sheer genius. Trust me.
If you have read this book did you find it helpful?
Are there any other books you would like to recommend that helped you with your artistic doubts?