It’s my turn to pick a new challenge from The Photographers Playbook. This challenge is called “truth and dare” and is written by Gregory Halpern. The challenge is to
“Make a short series of purely object photographs.”
And what we shall ask our self is if photographs can tell the truth? Or as Halden put’s it:
“We know photographs can “lie”. Is it possible for them to tell the truth?”
I’m really looking forward to see what comes out of this challenge. I’m already wondering: how does a purely objective photograph look like? And can I do one? I don’t know but I’m looking forward to try.
Our latest photo challenge is called “sum of the parts”. I had to read it through several times before I realized that I was supposed to create a diptych. At least in my mind that is what the challenge is about, we’re supposed to create two images independently that each tells a story of their own, but when we combine them together, they will tell a third. Continue reading Two stories could they make a third?
I got a reprimand after my lastest post about making an exact copy. My youngest son objected because I had left out a big part of how I made the picture. He told me I had to correct my error by telling you how important he is to my work; which is especially true for the picture “the little matches girl”. Continue reading The great importance of a good assistant
I was asked to write a blog post about photo editing. I’m probably not the best person for this job because I try to do as little as possible. I try to capture the image I’m looking for ‘in-camera’. While I know there are many photographers that do amazing work creating luscious photos from their imagination using Photoshop, (Zenith_Ardor comes to mind) ; that’s not me. So for now, I will simply get the conversation started. Continue reading One way to think about photo editing
I know that I disqualified myself at the beginning of this challenge. when I said I have tried this before and that I didn’t make it. But my past experience didn’t stop me thinking that this time would be a success. Yesterday I decided to give the challenge my best try. I started by telling my twelve-year-old son that I was going to make an exact copy of the picture “Guys? Hey, guys? This ain’t funny! Guys, where are you? HELLO?” by Vesa Lehtimäki. It’s a picture that I really like. My son looked at me and smiled, looked at Vesa Lehtimäki’s pictures and responded, “You will never make it. You will never do the same picture. I know you, you will do your own picture and it will look like yours.” I smiled back at him and said, “I’ll give it a try…” Continue reading My attempt to make an exact copy became a homage!
How you approach scale will effect your toy photography. Whether you are creating a still life like Kristina with toys as your subject or merely trying to bring your toys to life, you need to be aware of how scale can help you tell your story. Do you want to create images with neutral scale, forced perspective or do you like the playfulness of sharply juxtaposed scale?
When combined with toy photography these three techniques can lead to interesting possibilities. So what are these three techniques and how can you use them? Continue reading Scale and Toy Photography
This time of the year it’s almost impossible not to think about the fact that the year is coming to an end with Christmas right around the corner and the New Year quickly following. This time of the year inspires me think about new possibilities, maybe even more this year because I have, like all of us in the collective, been selecting my crop of twelve good photographs for 2015. My selection ended up with only ten best pictures for 2015. Once I had finished my book I started to long for a new one, a new beginning, with new possibilities. Maybe I should start a new project when the new year begins?
I have done yearly projects before, so I’m not in the mood for another 365- project (taking one picture a day for a year); that isn’t me right now. But I would like to make a well-defined project and I want that project to be a challenge!
My first thought is I should start where I am. I have looked through my work and tried to define what I have been doing during 2015. My goal has been to see if there is an embryo of a project in my previous work that I can evolve to a yearly-project for 2016. There seems to be something their, but I can’t decide on which idea I should go for. Should I do more of the abstract toy-photography that I like so much but that no one else seems to understand that I create on purpose? Or should I go for the family project that I have been working with since November? Or should I think of something totally new? I can’t decide! Maybe I ought to create a series of pictures with Shelly’s robot, that I love and adore? Maybe it could create a response to the work she’s already has done and most of us are familiar with? As I have already stated, I can’t decide which direction should I go in.
I want to explore new grounds, learn new things because just as Reiterlied said in a comment ” One of my biggest fear is to stop learning.” Right now I don’t know which direction I should choose and why. I’m caught in indecision; I don’t know which project I should pursue.
Are you thinking about any new photo projects for 2016? If so, what are those projects about?
This is post is a special request from HelloBenTeoh. As a fellow outdoor photographer he asked me to write a post describing my workflow. I told him my work flow was very simple and this would be a short post.
In fact my work flow is embarrassingly simple. Continue reading My Workflow
One thing I learned while I was getting my BFA in Photography was that I am really bad at black and white photography. Color is my medium. And if you don’t believe me check out my pre Lego work here.
One of the first apps I looked for after a good basic editing app for my iPhone/iPad was a good black and white photo editor. I was thrilled when I discovered Noir Photo. This little single use photo app is great for quickly creating dramatic black and white photos. It has an easy to use interface that lets you quickly turn your photos from this
So if you are looking to branch out with your photography and want to try to creating some dramatic black & white photos, might I suggest you give Noir Photo or Dramatic Black & White (another good black & white editor) a try. If you are like me and are black & white challenged, an app like this will fool people into thinking you know what you are doing. And isn’t that what it is all about, faking it?
With the prevalence of filters and their relative ease of use, how far is too far?
Rarely do I jump at the bait of contests on IG, usually I’m too busy doing my own thing. But recently one caught my eye and I decided to try my hand. The parameters are pretty simple: create an image using Snapseed’s HDR Scape filter. This is not a filter I ever use favoring a more natural look to my photos, but hey, trying new things is good! Right? So I present to you a before and after of one of the images I submitted. Personally I felt I had taken this image about as far as I could using this app, but I was informed by one of the judges I had not taken it to the “ludicrous” level. I laughed and told him I had! Maybe we just started at two different points on the editing spectrum.
Should I take my editing even farther? Where do you stop? Is this even a relevant discussion?
I’m sure Me2 will have something witty to say.