We are all influenced in our work, whether we are aware of it or not.
I hope you had a chance to read +Me2‘s latest blog post “Day IV”. Even though he is already suffering from blogging fatigue, it was a good one. If you didn’t get a chance to watch the excellent TED talk on the near win by Sarah Lewis, I urge you to give it a view. If you would like the condensed version I refer you to the following quote by Imogen Cunningham:
“ Which of my photographs is my favorite? The one I’m going to take tomorrow.”
As an artist I can qualify the near win into two categories. The first is the image that I have created that doesn’t meet my expectations. The image I present to you today falls into this category. I really like the image and I felt I got close to the emotion I was trying to convey, a mother watching over her new children. I wanted a leading line towards mom and I will probably need to rearrange them to better achieve that effect. The main reason I will retake this photo is the rock surface; I would have preferred a softer ground for the baby spiders more suggestive of a nursery setting. I do love a challenge and I will be taking this picture again as soon as it stops raining.
The second type of near win is the dissatisfaction that comes from growing as a photographer. I can’t tell you the number of times I have seen an image for the first time as it emerges from the printer and have been blown away by the finished product. But over time familiarity and the emergence of the next new image has me feeling dissatisfied with the first image. No matter how wonderful it might have been at initial glance, I now barely give it a second look.
It is these near wins that keep me motivated to move forward and to keep making new images. I hope you will value your near wins and realize they are a natural part of growing as a photographer and as an artist.
This month I took on a 30-day photo challenge offered up by one of the many toy groups on Instagram. I have always resisted the 365 photo-a-day project or other challenges. For one thing, I knew I did not have the discipline to post a photo a day and I also wanted to do my own thing.
But lately I have been feeling lost and unispired.
This challenge has been the perfect antidote. I spend most of my waking days rolling the various words around in my head to see what images come up. Basically this has become an all encompassing pursuit. Of course I will conveniently ignore the fact that I was stuck on the phrase “too much” for three days and be happy for the image I did eventually create. Sure I pulled a couple of photos out of my back pocket (so to speak) that have never seen the light of day, but thats ok. Some times images sit on my iPad until the right time to post reveals itself.
Personally if I end this challenge with nothing other than the image below, I will consider this a month very well spent. One good image in a month of shooting seems like a pretty good ratio to me.
So, if you are feeling blah about your photography or need a little poke in the butt – then sign up for a photo-a-day challenge. You might surprise your self, I know I did.
If you decide to take on a photo-a-day challenge, I will be there to cheer you on!
One thing that +Me2 and I agree on is that a good image is one in which the viewer makes an emotional connection with the image. As I look back through the last six months of my images I wonder if I can tell the difference. What makes one image of a small plastic person look more alive than another?
Is it the tilt of a head, is it particular movement of the legs, a small gesture of the curved hand or maybe just a trick of the light? It’s not like Lego is a particularly moveable, expressive toy figure. Yet some images seem alive while others just lie flat on the screen / paper.
+Me2 and I also agree on the importance of the eyes being in focus. Yet, not all the images I deem to have been successful include faces and in some the eyes are obscured. So while I know this is a part of the equation, I don’t think it is the answer.
This may seem like an inconsequential question but I have always approached my toy photography as an attempt to “bring the toys alive”. As a young girl my toys were very real to me. We chatted, they listened, they went every where with me and for lack of a better description, they were my friends. I want my viewer to feel what I feel while I document the lives of my little plastic friends.
As always some images are more successful than others and I cherish the ones that achieve that emotional element. I think I would be happy if I could crack the code and help people see how alive my little plastic friends are to me. Until I do, I will keep taking photos and hope people will connect with them as I do.
If you have any tips to help bring the toys “alive” I would love to hear them.
For those of you out there with lovely DSLR cameras who are loth to use them because they are too large, too bulky, too cumbersome, too complicated, to whatever… I would like to relate a story that I hope will persuade you to get yours out and make friends with it.
Last spring I was getting tired of taking Lego mini figure photos with my iPhone. Yes, it has a great lens and yes it’s easy to use and the editing apps and the uploading ease to social media where unparalleled. But I was growing dissatisfied with the results and I was quickly realizing that almost all the really great photographers I admire on Instagram, were using full size cameras.
So I broke down and pulled out my full size DSLR camera. And yes its big and bulky with a complicated interface that sometimes makes my head swim. Luckily all that time I had spent volunteering at KEXP was coming in handy. The boys at the station had definitely been teaching me a thing or two about photography, so this time, the interface was manageable. I tried a few different lenses and settled on an inexpensive 50 mm macro and off I went. I loved the results! Sharp, clear, great depth of field; everything I had been lacking with my phone. I was in heaven!
But like most new photographers I was concerned about storage and file size. I shot my images on the small RAW setting which gave me a file size of 5.5M or 2880 x 1920. I figured this would be more than adequate for my needs and would allow me to blow my images up to a nice size like 8″ x 10″ (2.4m x 3m). I had a wonderful summer shooting with friends in unusual places and since I was trying lots of different things I was having a lot of success.
When the fall rolled around and I had a chance to show my work in a gallery I quickly realized the images I had created, like the one below, were too small to create the images I wanted to show. I tried in vane to recreate the shots, but like all good images, there was a certain serendipity that was not going to be replicated. So I had to admit defeat, quickly create a few new images and move on knowing I was leaving some of my favorite images on the so called cutting room floor.
So the lesson is shoot big, shoot for the future and know that as you are learning and enjoying the photographic process you will eventually capture great images. And wouldn’t it be a shame if that image was on your phone or a small compressed file that didn’t allow you to work with it as your other photographic skills grew?
So get out your full size DSLR’s, shoot on the largest RAW setting you have and invest in a good storage device (preferably with a back-up system). Because you are not only shooting for today, you are shooting for the future…and who knows what opportunities will come your way.
The door is still open for any like minded photographers to join. Check out the Green Room and see who your fellow travelers will be. It’s a chatty and varied group.
In the mean time I hope you will give some thought as to what you would like to be doing with your photography that is not Instagram / internet related. Would you like to learn to print your images? Would you like to exhibit your work? Are you interested in selling or licensing your work? Would you like editing or shooting tips? Do you need help setting up a web site?
Please leave your comments below and I can focus upcoming blog posts based on your interests.
My favorite chapter in Steal Like An Artist is “Geography is no longer our master”. Truer words could not have been published. Only in a world where we can connect socially on so many different platforms that your head starts spinning if you try to name them all, can you make friends all over the globe. Only in this crazy internet focused photography community would I be lucky enough to find a like minded friend on the other side of the world. (Hi +Me2!)
The internet has introduced me to so many great toy photographers who have influenced me over the last several years like Avanaut, Me2 (Again with that guy!), +Alessio Billi and Legojacker. Each, in their own way, they have shown me what the photographic possibilities could be. I have the world wide web to thank for connecting me to these amazing people who have all helped me to be a better photographer.
When I met with the writer Lyn Miller-Lachman (another IG friend) this past February she told me something I have really taken to heart. That we need to make connections beyond ourselves with other platforms and other people if we want to be heard in all the noise created by the internet. By creating a web of connections we are all made stronger for these bonds. Think of it like this: we are all in our own boat, but if we lash them together we will be bigger, stronger and hopefully more visible. Ok, maybe she didn’t say all of that – but that is what I heard. (please forgive me Lynn if I twisted your words!)
So yesterday Me2 asked if there were any like minded photographers out there who are interested in joining this arts collective we call Stuckinplastic and lashing their boat to ours. The silence was deafening. Maybe we asked too soon? Maybe we haven’t been clear about our aims? Maybe there are only two people on all of the IG toy community who are interested in taking their photography off the internet and into the real world? I don’t know, but we will occasionally keep asking until someone bangs on our open door.
In the mean time I will continue to nurture and be inspired by my curent friends as well as find new people to connect with on twitter, flicker, Instagram, Google+…
I’ve been a photographer for a long time; some might even accuse me of being an artist. I don’t like labels, so I will continue to resist these labels and settle for being just a photographer. But one thing has remained constant throughout my life as a photographer: the struggle to create art. Even after 30 plus years I still struggle with the question: “Am I a real artist?”
As I was reading Steal Like an Artist, I realized chapter two had some pretty insightful things to say on this phenomena. Even if you follow there advice and look to your heroes to study, copy, emulate, attribute, transform, remix their influences until your source material becomes your own. Even if you do all of this successfully, then what? If you are like me you may still feel like a fake. I ask myself all of the time: Am I a REAL artist?
It turns out I am not alone in this feeling and they even have a name for it: impostor syndrome or the “psychological phenomenon in which people are unable to internalize their accomplishments.” It means that feeling like a phony, a fake, a charlatan, is perfectly normal.
Earlier this year the EMP asked me to be apart of a one night only panel of experts on different areas of the Lego community. I was billed as the “expert” Lego photographer. I laughed and told people I was an “expert in my field” (complete with air quotes). But little did I realize that maybe I am an expert in my field. Ok, I will admit it’s a very small field, one that has just a handful of participants. But hey, I am an expert! If the EMP called me one, I must be one! I’m going to go out on a limb and call Me2 an expert too. (I hope he doesn’t mind.)
Which leads me to the most important question: Are you an artist? Are you an expert in toy photography? If so, let me know. Let’s be experts together, we can fake it until we all make it…together.
As I wait for me2 to recover from his latest secret mission I have been struggling to find interesting topics to write about. This blogging business is not easy.
“Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be a authentic.”
One thing I learned while I was getting my BFA in Photography was that I am really bad at black and white photography. Color is my medium. And if you don’t believe me check out my pre Lego work here.
One of the first apps I looked for after a good basic editing app for my iPhone/iPad was a good black and white photo editor. I was thrilled when I discovered Noir Photo. This little single use photo app is great for quickly creating dramatic black and white photos. It has an easy to use interface that lets you quickly turn your photos from this
So if you are looking to branch out with your photography and want to try to creating some dramatic black & white photos, might I suggest you give Noir Photo or Dramatic Black & White (another good black & white editor) a try. If you are like me and are black & white challenged, an app like this will fool people into thinking you know what you are doing. And isn’t that what it is all about, faking it?