I’ll readily admit I have a lot of supplies for my toy photography – various toys, camera equipment and other gear.
I don’t have the latest and greatest anything, but I make what I have, and what I can further source, work for me.
This concept can be true at any range of your budget. While social media can make it seem like you need a $2000 camera and $300 figure to make it in this field/hobby that’s far from true. Continue reading The $5 Photograph
In the next few days I’ll be flying out of state for some on the job training for my new position. I won’t have a ton of free time, but I’d like to be prepared for when or if I do. So here I am as a not-travel/outdoor toy photographer contemplating what to bring and what to shoot.
I want to make photos there that I couldn’t here, to have a reason for the location and find a way to interact with the new environment.
“The whole point of taking pictures is so that you don’t have to explain things with words.”
-Elliott Erwitt Continue reading New Beginnings
I love toy photographs that make me do a double take. The ones that just look so very real. Bringing toys to life is such an intriguing ambition that many of us share and finding new ways to do so really gets me motivated.
The six image narrative project has me thinking about images I’ve created in series in the past. Some I plan and then shoot all at once, or in sequence over the course of a day, week, month, etc. Others develop more slowly. I have an idea I return to, or a figure that turns into a muse. And with that figure and idea I create one image, then some time later another, until a series forms. Continue reading Focusing on Toes
n. the eerie, forlorn atmosphere of a place that’s usually bustling with people but is now abandoned and quiet—a school hallway in the evening, an unlit office on a weekend, vacant fairgrounds—an emotional afterimage that makes it seem not just empty but hyper-empty, with a total population in the negative, who are so conspicuously absent they glow like neon signs.
-The Dictionary of Obscure Sorrows
~ Jennifer Nichole Wells
Learn more about the six image narrative project here.
Discouragement, fear, demotivation, I’ve discussed these way too much at this point here (I promise I’ll write about something else soon). But no matter how many posts I write (which end up being extensions of lectures I’ve given myself) about forgetting the world and creating for yourself, there is always more to say.
I am very good at not taking pictures. I’ll have tons of ideas itching at my brain, the supplies to make each one and absolutely no motivation. Whether stress, general creative discouragement, or a world of other thoughts in my head, sometimes I just can’t bring myself to create. The problem there, is that then I mentally beat myself up for not making photos and the cycle continues. Continue reading 6 Ways to Fix your Photo Funk
“Have no fear of perfection – you’ll never reach it.”
The reason I am so adamant about measuring success only by your own standards, is that it can be so so easy to give up in this intense creative world. Sure, everyone’s standards of success differ – some may consider success simply having fun, others affluently selling their work, and really everything in between. But no matter your measure, if you let fear and the opinions of others seep into your photographic work, you’ll no longer be creating genuine and fulfilling work.
Continue reading On Times of Creative Discouragement
“A great photograph [is] a full expression of what one feels about what is being photographed in the deepest sense and is, thereby, a true expression of what one feels about what life in its entirety.”
– Ansel Adams
As with any creative practice, photography is so personal that we constantly feel the need to defend it to others and to explain our work. But there is a power that comes in leaving a photo be and allowing the viewer to interpret as they will. Continue reading Leaving A Photo Be
It all started with the word ‘humid.’
In Florida it’s always humid. Go outside with your camera and the lens immediately fogs up. If you want a non-fog filled image quickly you have to wipe the condensation from your lens and hope for the best. Otherwise you wait up to 30 minutes or more until your camera acclimates to the sticky weather.
A couple years ago, I decided I wanted to replicate a fogged camera lens effect indoors. My mom suggested placing something in front of the lens. So really I owe the whole development of this process to her. I had some textured transparency film left over from a college printmaking class and there it was. Continue reading A Foggy Path
I shot my first toy photos 9 years ago.
I was 17, in Ms. Jen’s 11th grade English class, and chose to illustrate scenes of William Faulkner’s As I Lay Dying from a list of project options.
I really knew nothing about photography, but was slowly discovering that I liked it.
I outlined a few key scenes from the book and set out to photograph them. To my knowledge, I had never knowingly seen a toy photograph, nor did I think of what I was doing in any sort of category. All I knew was that it seemed the best way to represent a burning barn, brothers, horse drawn carriage, fish mother and vultures was through toys and maquettes.
The resulting photos weren’t what I’d now call good, but at the time I was quite happy with what I’d managed to create with minimal supplies and a point and shoot camera.
So now, 9 years later, some 6 or so years since I’ve actually considered myself a toy photographer, I’ve recreated those images with better technical knowledge and artistic vision. Continue reading A Reflection
This is the story of the toy photo that set me on my path. From this photo, I never looked back. This, is my one photo that changed it all.
My first post on Toy Photographers was my Why statement. Why I do what I do – photograph, of all things, toys. And in that I touched on my college WWII project.
The longer it’s been since I made that project, the more I realize how defining it has been to my future photos. Continue reading My One Photo that Changed it All