What if there were no social media sites?
What if there were no online ways to share images at all?
You could show your images to friends and family.
Find a like-minded community.
Post them on the walls of abandoned buildings.
Drag them from gallery to gallery hoping for interest.
Show them at art fairs hoping for sales.
Scatter them about the park or mall for a random stranger to find.
Stack them at the coffee shop counter.
Hang them on café walls.
Keep them to yourself.
What if there were no social media sites for us to post to instantly and hope for follows and likes? Continue reading What if?
“For me the printing process is part of the magic of photography. It’s that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.”
– John Sexton
I’ll be honest, I don’t typically print my work. When I do, most times, it’s specifically for a show or sale. That said, it’s something I aim to do more, at least to keep images in a solid portfolio. Photos seem much more real when physically in your hand.
That said, sometimes the printing process can be a part of the art making itself. Continue reading Alternative Photo Printing
Each photo we make tells a story, and for many of us, we aim to bring toys to life through our images. Generally, this is done in one of two ways – showing the life of a toy, or showing life through a toy. The latter aims to blur the line between fantasy and reality and thus cause the viewer to think twice about the size of the objects within the photo.
While I’ve discussed the history of toy photography here before, I’d like to now focus on the genre that sometimes overlaps with toy photography – photo fakery. Continue reading Photo Fakery
The very first play in The Photographer’s Playbook asks the reader to figure out what game they’re playing. So, I say to myself, “I’m creating because I have a creative drive.” But this needs to go deeper. What are my goals, how do I intend to achieve them, and what is the best way to go about this? All things I have very vague answers to in my head.
And then I remembered a quote from Netflix’s The Incredible Jessica James, spoken by real world playwright Sarah Jones.
“And you’re doing it. That’s why we’re here right? This is it! There’s kinda not more to it than that.”
Continue reading Being in the Game
Art as Emotion
“Art is the expression of those beauties and emotions that stir the human soul.”
– Howard Pyle
Art is an extension of the way we each feel about the world.
Emotions are what make us human. The fact that no matter how different our backgrounds, we all grieve, feel joy and show anger, is something that connects each of us on a deeper level – it bonds us together in this human experience. It can be so important to feel through every experience, good or bad. And negative emotions can be just as beautiful as the positive. Without the bad there is no good. Continue reading Am I Creating Art?
that in my upcoming travel toy photos I wanted to have “a reason for the location and [to] find a way to interact with [my] new environment.”
During my 2 weeks out of state, I took a ton of pictures –
most of a touristy nature with no toys present. But, one night I did find myself at a sculpture park, with the perfect opportunity to put to use my 2″ tall plastic, electric dollhouse chandelier that I brought with me. I purchased the chandelier with the idea of creating outdoor rooms, of playing with the juxtaposition of inside v. outside space and therefore a looking out on new opportunities, new starts, open windows and doors. Continue reading Learning to Travel with Toys
There are various way to approach the creation of new photos. Personally, I like to think of an idea then figure out what toys and other props would be best to make that vision a reality.
Sometimes I look through my collection, other times I’ll browse online or in shops, and sometimes I’ll make my own objects. I don’t typically make the precise, detail oriented, gorgeous work you’ll see of miniaturists or customizers, but I do make simplistic models that fit my end goal. I like to think of the camera lens as a tool of transformation. Through it, I can make my simple sets come to life. Continue reading Making Toys for Toy Photography
I’ll readily admit I have a lot of supplies for my toy photography – various toys, camera equipment and other gear.
I don’t have the latest and greatest anything, but I make what I have, and what I can further source, work for me.
This concept can be true at any range of your budget. While social media can make it seem like you need a $2000 camera and $300 figure to make it in this field/hobby that’s far from true. Continue reading The $5 Photograph
In the next few days I’ll be flying out of state for some on the job training for my new position. I won’t have a ton of free time, but I’d like to be prepared for when or if I do. So here I am as a not-travel/outdoor toy photographer contemplating what to bring and what to shoot.
I want to make photos there that I couldn’t here, to have a reason for the location and find a way to interact with the new environment.
“The whole point of taking pictures is so that you don’t have to explain things with words.”
-Elliott Erwitt Continue reading New Beginnings
I love toy photographs that make me do a double take. The ones that just look so very real. Bringing toys to life is such an intriguing ambition that many of us share and finding new ways to do so really gets me motivated.
The six image narrative project has me thinking about images I’ve created in series in the past. Some I plan and then shoot all at once, or in sequence over the course of a day, week, month, etc. Others develop more slowly. I have an idea I return to, or a figure that turns into a muse. And with that figure and idea I create one image, then some time later another, until a series forms. Continue reading Focusing on Toes